All good windows open inside. And we get to know a bit of us, experiencing through their passage.
I saw this work of Ruby Chishti on a New York gallery website. She catches your
attention amongst the many things on the web, but that is not all. As you focus
your mind on her work, you can sense how depth always comes in layers. Layers
we transcend through every art experience.
This wearable sculpture uncovered many coverings -- of the body
and mind.
Looking at the formidable structures, fortified against vagaries
of time, I have often wondered, is it possible to keep the winds of change at
bay? Is it possible not to be swayed by changes taking place all around and
within? Yet, like the metal-like texture of this sculpture, we try our best to
prevent change. To fortify ourselves.
Pollens in my lungs
People born with delicate constitution, affected by the tiniest
pollen in air whose bodies go through the suffering and misery of change with
every cycle of change of weather, as though their bodies are part of the
eco-system, know what it is like to be ‘sensitive’ to weather. To undergo
change with every changing season, like a tree. The microcosms in their body,
the tiny cells register these changes. They suffer for their openness to the
vagaries of weather. All sensitivities are a result of openness and
receptiveness. Some carry it in the body, some in the mind. Great art is like
that pollen, it grows on others. Art lovers often received such pollens, and
they have grown like trees within.
Shut yourself and you are safe and secure in your perceived
permanence. I often wonder looking at well- sculpted, six app bodies, fortified
against the winds of ill health and change, how does it feel never even to
sneeze when springs sets in or autumn blows away dead leaves. Having such
bodies is fine, but to have fortified indoctrinated minds that never allow any wind
to blow through! To remain framed in the safe corridors of cultural traditions.
To secure minds without their in-built windows to bring in fresh influence!
A Chinese saying goes like this, if you open the windows, flies
may also come in. But to keep flies away, you also shut away fresh air.
The other sculpture of Chishti has these water taps. This work
fascinates me even further. It reminds me of the first anthology of Rumi I’d
read.
Though I read Rumi in English, I knew it had come through long, circuitous
passages to become comprehensible to me, like water- simple refreshing,
quenching my thirst.
We need windows because we need fresh air. Else, like stale air
we begin to suffocate with our stale beings.


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