
MF Hussain
When I met Hussain, he was 87. I was struck by his amazing wit, charm and warmth. I could not believe the hands I shook were nearing 90. Later when I visited his studio in Hyderabad, it lead me to discovery of a creative genius.
It may not make news anymore that M F Hussain is unable to return to his own country, it still haunts sensitive minds. It is possible, tomorrow anyone of us could be in line for speaking out our mind. For possessing a quality of mind that can be misconstrued easily because it is not understood by pedestrians.
What did Hussain do to earn it?
He gave expression to his experience of beauty. Without experience there cannot be expression in fine arts. And, experience has no religion. Unfortunately, when fine arts enter public domain, chances are that they may not be seen in true perspective. The uninitiated fail to relate to the experience behind the expression.
Hussain saw beauty in life, in different facets of life- in animals, in saints, in gods and in humans. He is gifted with an eye for beauty, no caste or no amount of panditya can bestow one with that eye, Hidu or Muslim. So, the wise would respect him for his gift, the ignorant would only bracket him with his religion to hide their own narrowness of vision. They do not want to see his gift that grows beyond lines drawn by any religion. His own brush transcends him, this is something the militant brand of Hindus do not want to acknowledge.
Will they dig out Kalidasa for writing erotic Kumar Sambhavam, will they burn Khajuraho and Konark, they too are vulgar by their newly found limited Hinduism. What will they do to epicurean philosophy of Ashtavakra and Brahaspati?
I wish these vandals are shown Hussain’s sketches on parliamentarians for their sharp wit and satire on our system. For his sincere concern expressed for his country. His series of paintings on different religions, which reflect his deep erudition and quest. They should be shown his films Meenakshi and Gajgamini for the fantastic visual limits to which he could stretch technique of cinema. If he is guilty of painting goddesses as he imagines them, then the entire Hindu philosophy is at fault, that allows freedom to question even gods. What about many more artists who painted goddesses nude before him?
His rich imagination, his amazing ability to celebrate life and beauty, the amazing trajectory of his life narrated in his hand written book are treasures for creating richness of rasa in a life so deprived and famished, as such.
How could we, inheritors of such cultural bounty grow so narrow?
I’m sure Hussain’s sketch book will have some scathing lines drawn, wondering!
